WELCOME!

Welcome to Le Beau Paon Victorien! I'm so glad you stopped by!

Here you will find a variety of things that might interest you: food, books, house decor, crafty things, random thoughts, dishes, gardening and more!

Spend some time with us and happy reading!





Wednesday, December 10, 2008

Food: Buried Cherry Cookies

With the Christmas holidays coming up fast, I've been busy with decorating, shopping and planning a Christmas open house for Dec. 20th, so I haven't been able to write much in my blog this month.

One of my many holiday "duties" is cookie baking. I don't think it's properly the holidays until the house is filled with the aroma of baking. I thought I'd share one of my favorite cookie recipes here. This cookie would be perfect for any occasion, but I traditionally make them at Christmas and they are always very popular. If you love chocolate, and love cherries....this cookie is for you!

Buried Cherry Cookies

1/2 cup butter
1 cup sugar
1 egg
1 1/2 tsp vanilla
1 1/2 cups flour
1/2 cup unsweetened cocoa powder
1/4 tsp baking soda
1/2 tsp baking powder
1/4 tsp salt
1 10 ounce jar (about 48) maraschino cherries
6 oz (1 cup) semi-sweet chocolate chips
1/2 cup Eagle brand sweetened condensed milk

In a large bowl, cream butter. Add sugar and beat until fluffy. Add egg and vanilla and mix well. Combine flour, cocoa powder, baking soda, baking powder and salt and gradually add to butter mixture, beating well. Chill dough if necessary for easy handling. Shape into 1 " balls and place about 2 inches apart on ungreased cookie sheets. Make a deep thumbprint in the center of each ball.
Drain cherries , reserving juice. Place a cherry in each thumbprint. In a small saucepan, combine chocolate chips and the condensed milk and stir over low heat until chocolate is melted. Stir in 4 tsp. reserved cherry juice. Spoon 1 tsp of frosting over each cherry, covering it completely. Bake at 350 degrees for about 10 minutes, until edges are firm. Makes about 48.

** I use parchment paper on my cookie sheets for ease in removal. Also, the first time I made the chocolate frosting, it was a little thin. The second time I made it, I didn't use 4 tsp of cherry juice; I used about 2 or 3 tsp and let the mixture cool for a few minutes to thicken before spooning over the cherry. It seemed to work better this way. Also, there will be frosting left over, so I saved it in a tupperware container in the refrigerator and re-used it a few days later when I decided to make another batch of cookies. I just re-heated the frosting in a small saucepan.***

Enjoy!!!

Wednesday, November 5, 2008

Vintage Voice: Tiffany Girls


Louis Comfort Tiffany's (1848-1933) designs have long been renowned for their artistry and fine attention to detail. Although many such pieces bear his name and represent his vision, he was not the sole force behind the creative process. Many people worked for him without receiving much recognition and one such person was Clara Driscoll.
Specializing in architectural decoration at the Metropolitan Museum Art School in New York City, Driscoll began her career with Tiffany Glass Co.(incorporated in1885) at the age of 26. Tiffany only employed un-married women and widows, so Driscoll left three times due to engagements and marriages, but during her three stints with the firm, she became one of the company's best designers. Her talent for designing the signature leaded-glass lampshades, bases and desk sets was evident in some of her most famous models, including the Dragonfly, Wisteria and Poppy designs.
The women she directed also played key roles in the company's success. At her prime, Driscoll managed 35 women in the women's glass-cutting department. The "Tiffany Girls" were well-suited for this type of work, with their nimble fingers, eye for detail and a penchant for decoration. Many of Tiffany's designs benefitted from a woman's touch. However, they were no strangers to the physical demands, particularly once they were able to cut their own glass.
Unfortunately, Driscoll's dedication and talent went largely un-noticed and the success of her designs resulted in resentment among co-workers. She endured many attempts by male workers to close her department, but she ultimately triumphed. Though forced to limit her staff, she was able to design all the lampshades and small luxury goods, including some windows and mosiacs.
Driscoll worked closely with Louis Tiffany, who was keenly aware of her capabilities and supported her decisions on both design and management matters. Her sensibilities extended beyond the studio; she felt very strongly about the condition of her female employees. Because they had to leave once they were married, Driscoll was always frustrated to lose workers, but even more so when they sacrificed their careers and salaries for less successful husbands. Ultimately, she too decided to end her employment and marry.
If you would like to read more about the Tiffany Girls, you can do so in the book, A New Light on Tiffany: Clara Driscoll and the Tiffany Girls, by Martin Eidelberg, Nina Gray and Margaret K. Hofer.

Monday, October 20, 2008

Painting Project Update: Final

Transforming the formal parlor from blah to Victorian splendor!

Before photos: Dark blue and light blue walls.

Mid- painting:

After painting walls new colors (Honeydew, top, and Great Green, bottom.)Stenciling Phase 1:
Border along chair rail










Stenciling Phase 2:
All-over damask pattern on wall below chair rail










Stenciling Phase 2.5:
Inverted border along molding at the ceiling


Stenciling Phase 3: Dado

Final Pictures: DONE!






Food: Halloween Cupcakes


In the spirit of the upcoming Halloween 'holiday', I made some Halloween cupcakes to take to work for a treat. These are just plain chocolate cupcakes with powdered sugar on top. I used mini stencils purchased from the Martha Stewart craft line at Michael's. Colored sugars, food coloring spray or cocoa powder could also be used.